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shorts and a wrapper involving Udo Kier as the host in a bizarre mime performance on stage while a horrified girl looks. In the meantime, they partake in their sexual escapades with many women, always in lifeless and awkward moods, as if in a frustrated search for something else, until the naked dead man appears to come back to life to shake up their psyches. 'Nexus' is a tense-filled 5 minutes of waiting for an accident to happen in Halloween. Unfortunately, the acting is very stiff, hokey and awkward, and the writing doesn't lead to anything. Why does my body misbehave? The third by Hisayasu Sato is the most depraved, involving a war veteran with no arms or legs, who can't talk, is deformed, and who is tended to by his insane, dominatrix, sadistic wife who may or may not have done all this to him. Whether the girls were really exploited or not to act in a movie this way may be a moot point, but the effect this had on their sexual development is much more worrisome. They should have released this as a 30 minute short along with Burn. As far as tension, odd mystery and atmosphere go, this film is masterfully constructed. Enemy There is a known phenomenon where the same concept is often explored in two movies within the same year. Poetic and intriguingly strange, but also slow and dry and the characters never come to life. This is the kind of movie that will make you vow never to touch anything by the film director again. Impolex Tedious student film with pretensions of being an amusing and surreal piece of existentialism. This take on Faust has a narrator telling us the tale as if it's a bedtime story, backed by a Greek chorus consisting of squeaky voices, against a backdrop of lights as if on an alien spaceship. A messy art film that gets lost in its overly avant-garde pretensions. The fourth is a surreal, confusing trip into the insane mind of an obsessive man with an extreme fear of germs and a nasty rash on his neck from scratching himself all the time. Then it rapidly veers into nonsensical sci-fi and mystical strangeness that mixes several classic stories together: The secret involves a child's drawings, and "beings from an unspecified place in the universe appearing in oceans wearing gas masks. The ending is as subtle as it is thought-provoking and raises this whole sickening work into the single most gut-wrenching and extreme expression of irony ever made. The camera work is very dynamic and carefully framed. It's just a pity that most of its running time is spent on the pointlessly strange bits where it seems to have lost its way, making it feel unbalanced. When characters are introduced, we usually get a delirious scene of strange dancing and rituals accompanied by avant-garde sounds. Teorema A somewhat enigmatic and ambiguously symbolic film by Pasolini. Challenging and unusual is one thing, but this is just obnoxious, braindead randomness. Some of these creatures established communes for like-minded people and one got arrested for pedophilia.

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The star of the movie is the kinetic cinematography, wacky effects and energetic direction, all resulting in a mind-warp of an experience similar in effect to Tetsuo. The black-faced minstrel who is trying to transform into an invertebrate using snail injections is obviously his public entertainer persona, whom he seems to mostly hate, which would explain the racist/Nazi aspects of this movie, and he sees his. The workers are chosen by how far they can rotate a toy airplane, the work involves strange Sisyphean contraptions for carrying water, and the currency is miserly portions of water handed out in pots and pans, and cut-up newspaper coupons, prepared by the owners themselves. Povero Cristo Rare, surreal, often criticised Christ-allegory by Pier Carpi. Extreme Movies, recommended, aBCs of Death 2, The, another collection of 26 horror shorts. And then there are the mildly interesting ones: 'Oedipe a wacky bizarre free-association stop-motion animation involving bees, chimps that turn into donkey kong, mother-dolls with projectile flower-sprouting boobs waging war against a wheelchair-bound spaceman, focusing more on referencing pop-culture movie imagery than in making sense. He also muses on his black-magic grandfather, identity, and dark undercurrents in his psyche. A very long and boring one. There are endless meaningless interactions and scenes, most of them revolving around various sexual kinks and fetishes, with a particular obsession over urination in pornographic scenes.

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Polaco uses an Argentinian ex-sex-symbol, bringing her out of retirement, giving her the role of a woman who comes back to her hometown rich, teaming up to save the city with her ex-lover the kinky mayor, who has a manic. The atmosphere and dialogue is silly, cheesy, 50s-sitcom, cheery simplicity but the entertainment is in watching all the inventive eye-candy and quirks. One is a violent woman-beater, another is deaf and lives with a junkie wife and child, and the third is homosexual, his arm is numb from masturbation, his mother is bald and is having an affair with the. Phantom Love Nina Menkes's movies are usually insufferably dull and pretentious endurance tests with light touches of near-surrealism, but here she improves slightly and also develops more surrealist techniques. A loser castaway on a deserted island decides to kill himself when he finds a corpse on the beach that turns out to be quite useful and friendly. Prayer for Hetman Mazepa, A Yuri Ilyenko continues his cinematic style of fragmented snippets of a story presented poetically, only this time, he emphasizes obtuse and pretentious theatrics.

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